7 - Macbeth - Ashcroft Theatre Croydon

Walking into the theatre to see this production of Macbeth there was a thin cloud of fog in the air, setting the scene for an atmospheric production.

The witches, not as ghoulish as in some productions but quite creepy, were seated on the floor as they were for most of their scenes. This rather static staging meant their performance, while accomplished and interesting, was rather reined back. I don't quite like the modern idea that over the top dramatic and gory witches detract from the play and always find it a bit disappointing when they are just sitting there talking.

I was also slightly disappointed by Banquo's ghost scene, in which Banquo was noticeable by his absence. Instead Macbeth shouted at a spotlight on an empty chair while the others watched amazed. At first I thought, as other productions have done, they would play the scene again after the interval with the bloody spectre visible to the audience this time but this didn't happen. Strange, as this wasn't a production afraid of showing violence, later Macduff's family and Macbeth himself are killed on stage.

A great cast and a well cut script made this production enjoyable and pacy. Christopher Lane as Macbeth shone in the later scenes, emerging through the fog like a demon. His transformation from loyal soldier to inhuman tyrant was electric and highlighted the way his soul had been warped by the act of murdering his king. I didn't think his relationship with Lady Macbeth, played by Joanna Nevin, had much chemistry in their scenes together. However she too really shone in the later scenes and her wail in the sleepwalking scene was heartbreaking.

One thing I really didn't like about the production was the odd lighting. Whenever someone was giving a soliloquy they would suddenly change the lighting and put a spotlight on them. I would prefer a lighting designer to give me a bit more credit as an audience member. Yes. I get it. They are talking to themselves and other people can't hear them. It's not that complicated. And the moment in Macbeth's death scene when he moved and the spotlight had to move with him, rather slower than he did, was just painful. However this would make the play easier to follow for someone less familiar with the text. Other touches, like the army marching in holding actual trees, and the way the text had been cut down, made me think this would be an ideal production for school or college groups, and I hope some will go to this and Romeo and Juliet which the company will also be performing later this week.

There was a really great moment at the end of the production where Macduff stabbed Macbeth with his own crown, then in the next scene placed the still bloodied crown on the head of Malcolm. (Yet another) spotlight highlighted a young Fleance stood stage right looking over at Malcolm. It suggested that the violence in pursuit of power would inevitably continue, a modern twist reminiscent of a thriller film.

Great to have such an enjoyable Shakespeare production on our doorstep in Croydon. Go and see it.