Monday 9 January 2012

On the radio




On Sunday I was a guest on the Nat Nollid show hosted by the lovely Rebecca Burge on ONFM.

The main guest on the show was Justus Emman, a fascinating guy who writes books and was on the show to talk about Voodoo. This meant that as well as theatre I had to talk about my opinions on Voodoo and its practice in the UK.

So for interested parties I include below a cut down version of some of what Mr Emman was saying, with my contribution towards the end:

Discussing Voodoo on the Nat Nollid show with Rebecca Burge by Ellie Dawes

And here is a recording of our discussion of this blog, theatre and what to look out for on the stage in 2012!

Ellie Dawes discusses theatre 2012 on the Nat Nollid show with Rebecca Burge by Ellie Dawes

I talk about this production of A Midsummer Night's Dream, Haymarket's Tempest and The God of Soho at the Globe. I also naturally plug Breakfast Cat Theatre's upcoming version of Macbeth!

The Twitter account I'm talking about, which I've set up to promote Macbeth, can be found here, please follow and retweet it!

Please forgive my clumsy editing! You can listen to the whole show, with the full fascinating discussion with Justus, on Rebecca's website.

Wednesday 4 January 2012

52 - Aladdin, Ashcroft theatre, Croydon

52 plays!! I realise this might lose impact as I am blogging a few days after seeing this last production of 2011 on New Year's Eve. But believe me dear reader, I saw this (and The Borrowers) in December 2011. Which makes my challenge complete.

I was pleased to see a panto as my final play. You might think a panto is slightly less worthy than some of the other plays I have seen over the year. You are wrong. Pantomime is the greatest example of British culture I know.

Try seeing a Pantomime outside of the UK and you will run into problems. Then try explaining Pantomime to a German, an American, an Indian and witness the look of bemusement.

To me the clever puns, cross-dressing, colour and nonsense you see in a pantomime demonstrate the wit, diversity, exuberance and eccentricity that make up our national identity.

Look back in time and you can find the pantomime's ancestors in mummer's plays and even mystery plays. Look forward and find its children in modern films like Shrek (people think the idea of having innuendo and cultural references for the grown-ups in children's films is new. I'd say American cinema is just catching up.) Naturally as a leftie British person I usually treat patriotism as an embarrassing and rather dangerous disease but actually I do think that our literary and cultural heritage is something we can be proud of.

Now usually I'd advocate forgetting the celebs and patronising the smallest local pantomime you can find for maximum community feeling and naughtiness. But I did think this Aladdin was particularly good in terms of sheer volume of cheesy jokes. My favourite:
"I just saw Michael J. Fox down the garden centre"
"How did you recognise him?"
"He had his back to the fuchsias"

I also thought the set was lovely and glittery, the dancing impressive and the actors full of the essential energy and mirth. Wishy Washy (played by that geeky new bloke from Hollyoaks) was the star of the show, interacting really well with the kids, delivering exposition at roughly the speed of sound and jumping around the stage like a mad thing.

Something I would have liked to see improved somewhat would be the costumes. Pantomime dame costumes can be really magnificent and silly and although Twanky's were colourful I thought they could have been slightly more inventive and daft. The exception to this was the cool ming vase dress 'she' wore in the finale complete with a hat that looked like a lid so she could shrug her shoulders and draw her head in to make her head disappear. That was awesome.


I feel a bit sad now my 52 plays resolution is complete. Obviously I'd like to go to the theatre a lot in 2012 too, but with a new resolution to save some money and go on holiday to India I suspect my theatre trips might become less frequent. When I see something particularly great or awful, I'll definitely keep posting on this blog, it has been nice to practise writing down my thoughts and ideas.

Anyone considering upping their experiences in 2012, I can't recommend the 52 plays idea enough. I can honestly say it is one of the best things I have ever done. I feel like I know much more about theatre than I did 12 months ago, I see plays in a wider context and have a far better idea of what kind of theatre I really love. Instead of setting yourself the usual dull dieting or sporty challenge this year, why not embark on something that will improve your mind instead of your body? Watch 52 films, see 52 plays, read 30 books (52 books seems a bit much to me), go on 52 dates, whatever. Choose something you are passionate about and learn more about the thing that you love.

Above all my lovely blog readers, I hope you find a way to have a happy, constructive and successful new year. Noone else can make this happen but you.